{"id":375,"date":"2019-08-17T16:11:40","date_gmt":"2019-08-17T14:11:40","guid":{"rendered":"https:\/\/desp.armada.digital\/the-facilitator\/"},"modified":"2023-12-27T20:01:47","modified_gmt":"2023-12-27T18:01:47","slug":"the-facilitator","status":"publish","type":"page","link":"https:\/\/dessinspontane.be\/en\/the-facilitator\/","title":{"rendered":"The facilitator"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The creator of “autopictographie”, Serge Goldwicht is an artist, a specialist in methods of self-expression and has a degree in Philosophy from the Universit\u00e9 Libre de Bruxelles.<\/h3>\n

Serge Goldwicht is the author of \u00ab Manuel de dessin spontan\u00e9 \u00e0 l\u2019usage des adultes<\/a>\u00a0\u00bb.
\nEd.l\u2019Harmattan \u2013 Paris<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Autopictographie<\/h4>\r\nThis is a name I created in 2005 to define the method and the exercises that go with it, aimed at re-awakening spontaneous drawing in adults. There is very little literature dedicated to spontaneous drawing in adults because we consider that the door has been closed for a very long time, 20 years spent experimenting with adults and children, and 99% of powerfully graphic results have proven that it is possible to escape from behind that locked door.\r\nMore than one hundred exercises based on different techniques make up the backbone of the method. One of its principal characteristics is the close working relationship between learner and teacher.\r\n\r\n“In substance, writing and drawing are identical” (Paul Klee)\r\n

My sources of inspiration<\/h4>\r\n
    \r\n \t
  • Pierre Alechinsky, Hors Cadre, Editions Labor, Bruxelles, 1996\r\nPierre Alechinsky, Lettre suit, Gallimard, Paris 1992<\/li>\r\n \t
  • Yves Bonnefoy, Remarques sur le dessin, Mercure de France, Paris 1993<\/li>\r\n \t
  • Bernard Darras, Au commencement \u00e9tait l\u2019image, Editions ESI, Paris 1996<\/li>\r\n \t
  • Fran\u00e7oise Dolto, Psychanalyse et p\u00e9diatrie, Editions Le Seuil, Paris, 1971<\/li>\r\n \t
  • Fran\u00e7oise Dolto, Psychanalyse et r\u00e9alit\u00e9, Editions Le Seuil, Paris, 1971<\/li>\r\n \t
  • Jean Dubuffet, B\u00e2tons rompus, Editions de Minuit, Paris, 1987<\/li>\r\n \t
  • Paul Eluard, Donn\u00e9 \u00e0 voir, Gallimard, Paris, 1978<\/li>\r\n \t
  • Boris Eizykman, Dessiner dans la marge, Editions L\u2019Harmattan, Paris 2004<\/li>\r\n \t
  • Jo\u00eblle Gonthier, Dessin et dessein, ESF \u00e9diteur, Paris, 1990<\/li>\r\n \t
  • Elise Freinet, L\u2019enfant artiste, Editions de l\u2019\u00e9cole moderne fran\u00e7aise, Cannes 1963<\/li>\r\n \t
  • Tristan Garcia Fons, la Lettre du GRAPE n\u00b049, Paris 2002<\/li>\r\n \t
  • Institut du dessin & Fondazione Europa del disgno, Editions Alcatos, Lausanne, 2000.<\/li>\r\n \t
  • Fanchette Lefebure,Claude Van den Broek d’Obrenan, Le trait en graphologie, Edition Masson, Paris 1989<\/li>\r\n \t
  • Suzanne Lemerise, Du dessin aux arts plastiques, Presses universitaires du Qu\u00e9bec, 2006<\/li>\r\n \t
  • Erwin Panofsky, Idea, Editions Gallimard, Paris 1989<\/li>\r\n \t
  • Madeleine Rambert, La vie affective et morale de l\u2019enfant, Editions Delachaux-Niestl\u00e9, Neufch\u00e2tel-Paris 1945<\/li>\r\n \t
  • Ernst R\u00f6ttger et Dieter Klante, Point et ligne, Dessain et Tolra, Paris 1982<\/li>\r\n \t
  • Jean-Jacques Rousseau, Emile ou de l\u2019\u00e9ducation, Editions Garnier, Paris 1971<\/li>\r\n \t
  • Jean Ruch, Techniques \u00e9ducatives, Editions de l\u2019imprimerie \u00e0 l\u2019\u00e9cole, Saint-Paul 1932<\/li>\r\n \t
  • Arno Stern et Pierre Duquet, Du dessin spontan\u00e9 aux techniques graphiques, Editions Delachaux-Niestl\u00e9, Neufch\u00e2tel-Paris 1958<\/li>\r\n \t
  • Winnicott en quatre squiggles, Fran\u00e7oise Duparc, Editions In Press, Paris 2005<\/li>\r\n \t
  • D.W. Winnicott , Jeu et r\u00e9alit\u00e9 l’espace potentiel, Gallimard, 1975<\/li>\r\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    The creator of “autopictographie”, Serge Goldwicht is an artist, a specialist in methods of self-expression and has a degree in Philosophy from the Universit\u00e9 Libre de Bruxelles. Serge Goldwicht is the author of \u00ab Manuel de dessin spontan\u00e9 \u00e0 l\u2019usage des adultes\u00a0\u00bb. Ed.l\u2019Harmattan \u2013 Paris Autopictographie This is a name I created in 2005 to […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-375","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/pages\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":3,"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/pages\/375\/revisions"}],"predecessor-version":[{"id":625,"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/pages\/375\/revisions\/625"}],"wp:attachment":[{"href":"https:\/\/dessinspontane.be\/en\/wp-json\/wp\/v2\/media?parent=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}